i make my snares because i love to do it so AND know how to. but i'll still use the amen break cause its so fucking good and guess what, ITS A LOOP. OH NO ME MUSIC IS CRAP NOW I TAKE CREDIT FOR MUSIC I DIDNOT MAKE GRRR
point is; he didnt take any credits, he just made a track and it got featured. the world's most popular bass producer, skrillex, uses samples (or loops, they're the fucking same). fuck, not so long ago, every club bangers used the infamous pryda snare. THE SOUNDS IN THE STUDIO ARE SAMPLES. there is no such thing as "unique", yet most of you make pretty good music with what it's worth
I'm with little hollow. If you are capable of being featured, you should be able to make your own drums and melodies/leads, but that's just what I think C:
In addition, the entire jazz era for instance was based upon adding onto other people's creativity. Some performers would actually cover their instrument with a handkerchief so onlookers don't try to watch what notes they are playing, while others felt free to just let them see, since there were not many ways to actually learn how to play certain things well. Add improv. Then you also have Frankie Trumbauer and later the sax being more standardized in 1955 and suddenly more tracks feature sax instead of clarinet. And your last statement contradicts the entire premise of covers & remixes.
Comments
KillCount
This is awesome and so good! Could you possibly put up a video of how you made this or a list of the instruments that you used, please?
Vizil
ok yes people can use samples for drums but when they use the melody, chord, lead as a sample that's a sign of being lazy af
overdoze
i make my snares because i love to do it so AND know how to. but i'll still use the amen break cause its so fucking good and guess what, ITS A LOOP. OH NO ME MUSIC IS CRAP NOW I TAKE CREDIT FOR MUSIC I DIDNOT MAKE GRRR
overdoze
point is; he didnt take any credits, he just made a track and it got featured. the world's most popular bass producer, skrillex, uses samples (or loops, they're the fucking same). fuck, not so long ago, every club bangers used the infamous pryda snare. THE SOUNDS IN THE STUDIO ARE SAMPLES. there is no such thing as "unique", yet most of you make pretty good music with what it's worth
arbour
hecc
Eden Pigeon ♪
I'm with little hollow. If you are capable of being featured, you should be able to make your own drums and melodies/leads, but that's just what I think C:
Vizil
heard is seen it done it better than this ...man and this has 100+ favs? wow man this place burned to the ground since the last time i looked
little hollow
If *anyone* can't write *their* own music, *they* shouldn't be taking credit for it."
Sorry, that sounded like a personal attack before.overdoze
oh of course little hollow, you came out with a chord progression that NO ONE has never heard before
Key Lime Canid
In addition, the entire jazz era for instance was based upon adding onto other people's creativity. Some performers would actually cover their instrument with a handkerchief so onlookers don't try to watch what notes they are playing, while others felt free to just let them see, since there were not many ways to actually learn how to play certain things well. Add improv. Then you also have Frankie Trumbauer and later the sax being more standardized in 1955 and suddenly more tracks feature sax instead of clarinet. And your last statement contradicts the entire premise of covers & remixes.