Soundation | KE Presents: WubWub Creator

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Pyrox

20 Tracks

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Admin: Kracked Ekho / illRipper

I am KE the Wubmachine Guru, I’ve received many messages and comments asking, “KE how do you make those filthy wobbles in soundation?” I have the answer for you my friends ;) the answer is this group. Below are some of the most deadliest recipes to ever come out of soundation and plenty more will come.
USERS MAY SEND IN REQUESTS
WILL TAKE INTO CONSIDERATION OTHER USER SOUNDS
WILL POST NEW SOUNDS WEEKLY
EVERYONE MUST VISIT *ANDREAS TIPS N TRICKS
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HOW TO SUBMIT A SOUND
To submit a sound you need to take your mouse copy where it says SOUND TYPE: all the way down till its says sound complete, paste it in a notepad and change the knob percentages to the percentages of your sound and fx to the fx you used in the order you see them from left to right in the studio then email the notepad to 19cnorthup@gmail.com
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PLEASE RESPECT THE CREATORS BY FOLLOWING THIS ONE RULE
It would be appreciated if you gave the artist who created the sound credit because as you can obviously see these sounds are VERY difficult to make in soundation if you use a sound just say in the description of your track I got this sound from this awesome group https://soundation.com/group/kracked-ekho-s-wubwub-creator
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Reminder- I will not go out of my way for any one person, if you feel the need for help comment your issue and i will be happy to assist you. however just so everyone can learn how to use soundation and better them selves i will not do it for you, you must follow the steps to the best of your ability. ;)
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SOUND TYPE :Screecher INSTRUMENT :Wubmachine
CREATOR :KRackEd EkHo SOUND EXAMPLE: I SCREAM
STEPS :Inside Wubmachine
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ANALOG FILTER SECTION
Type Lowpass Cutoff 20hz Res. 17% Drive 30%
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OSCILLATORS
OSC1 Tab
Type Square (the bottom one) Pitch +24 Gain 100% Shape 0% Glide 0% Reese off.
OSC2 Tab
Type Triangle (the top one) Pitch +7 Gain 100% Shape 100% Glide 0%
SUB Tab
Gain 65% Shape 50% Glide 0% Volume LFO Mod off
Bypass Filter on.
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LFO SECTION
Type Descending Saw (Third one down) Speed 0% Depth 6% Phase 0% Key tracking 0% Retrigger on Loop off.
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GLOBAL KNOBS
M.S.L 100% Filth off Unison off
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Wubmachine Section Complete
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FX in this order
Delay Lft-2ms / Rht-7ms / Feed-35% / Filter-13%/ Wet-44% / Dry-100%
Distortion Type-W2 / Gain-3% / Vol- -20 to -14 dbs /
Phaser Feed-85% / Rate-0% / Depth-75% / Color-78% / Wet-60% / Dry-100%
Distortion Type-FldBak Gain-6% Vol- -20 to -12
Reverb No Changes (Optional)
Phaser Feed-20% / Rate-0% / Depth-50% / Color-50% / Wet-50% / Dry-100% /
Equalizer Low-60 to 80 / Mid-50 to 60 / High-55 to 65 (Personal Preference)
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SOUND COMPLETE
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Sound Description: Great as a filler or a main drop sound, best in Note Clip at C5 sounds better when a sub is layered also this only works when the notes in the clip are fast little notes not one long extended one
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SOUND TYPE :WubWub INSTRUMENT :Wubmachine
CREATOR :KRackEd EkHo SOUND EXAMPLE: I GO WUBWUB
STEPS :Inside Wubmachine
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ANALOG FILTER SECTION
Type Lowpass Cutoff 1423hz Res 5% Drive to 100%
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OSCILLATORS
OSC1 Tab
Type Square (the bottom one) Pitch 0 Gain 100% Shape 7% Glide 70% Reese off
OSC2 Tab
Type Triangle (the top one) Pitch +12 Gain 100% Shape 0% Glide 70%
SUB Tab
Gain 13% Shape 37% Glide 70% Volume LFO Mod off Bypass Filter off
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LFO SECTION
Type Rising Saw (Fourth one down) Speed 11% Depth 13% Phase 100% Key tracking 0% Retrigger off Loop off.
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GLOBAL KNOBS
M.S.L 0% Filth off Unison on Unison Amount 13% Unison Count 1
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Wubmachine Section Complete
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FX in this order
Distortion Type-FldBak / Gain-14% / Vol- -8 to -4 dbs
Phaser Feed-30% / Rate-57% (Rate Adjustable) / Depth-57% / Color-50% / Wet-68% / Dry-100%
Filter (Optional) Highpass Cutoff 80hz to 300hz (Personal Preferance)
Delay Lft-5ms / Rht-2ms / Feed-6% / Filter-100% / Wet-100% / Dry-80%
Compressor Attk-8% / Rlese-20% / Ratio-50% / Thresh-60% / Gain-54%
Reverb (No changes accept size) Size-40%
Equalizer Low-50 to 60 / Mid-50 to 60 / High-55 to 65 (Personal Preference)
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Sound Complete
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Sound Description: Awesome main bass and could also pass as a sick filler aswell. Best played in the Note Clip at C2 C3 and in some circumstances C4 Sounds better when a sub is layered.
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